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hemistichs

Examples

  • Ut Queant Laxis Resonare Fibris. Utraquism. The first line of a hymn in honour of St. John the Baptist. The Roman Breviary divides it into three parts and assigns the first, "Ut queant laxis" may be shown by capitalizing the initial syllables of the hemistichs:. — “Catholic Encyclopedia (1913)/Ut Queant Laxis Resonare Fibris”,
  • Get short, timely messages from William E. Dudley. Twitter is a rich source of instantly updated information. RSS feed of Hemistich's tweets RSS feed of Hemistich's favorites. — “William E. Dudley (Hemistich) on Twitter”,
  • John Skelton (1460-1529) was the last English poet of any note before the 19th century priest Gerard Manley Hopkins (Skelton was also a priest) to use alliterative stress verse, but his podics were idiosyncratic: he made lines of the hemistichs. — “Poetics and Ruminations: Mannerly Margery Milk and Ale”,
  • A New Hebrew Bible: the Aleppo Codex - Keter Yerushalayim/Jerusalem Crown: The Bible of the Hebrew - Book Review from Judaism provided by Find Articles at BNET Tehilim (Psalms), Mishle (Proverbs), and Iov (Job) are set in a single-column arrangement with the outer edges of the hemistichs justified. — “A New Hebrew Bible: the Aleppo Codex - Keter Yerushalayim”,
  • Hemistich's definition, the exact or approximate half of a stich, or poetic verse or line, esp. as divided by a caesura or the like. See more. — “Hemistich's | Define Hemistich's at ”,
  • Moses begins the song, and in the two first hemistichs states the subject of it; and these two first lines became the grand With this verse the song seems to end, as with it the hemistichs or poetic lines terminate. — “Exodus - Chapter 15 - Adam Clarke Commentary on ”,
  • Hemistich length: All but the shortest lines are divided into part-lines (hemistichs); each hemistich also contains a specific number of syllables, and ends with a word Hemistich markers: The ends of the hemistichs are marked and contrasted by an obligatory stress: a specific syllable position. — “Syllabic verse: Definition from ”,
  • The first line of a hymn in honour of St. John the Baptist syllabic naming of the notes as Ut, Re, Mi, Fa, Sol, La, as may be shown by capitalizing the initial syllables of the hemistichs:. — “CATHOLIC ENCYCLOPEDIA: Ut Queant Laxis Resonare Fibris”,
  • The hemistichs as perceptual units are not defined only (or necessarily) by the pause between them. When, however, we group together in these hemistichs--as suggested above--two pairs of feet so as to obtain two symmetrical halves, we also obtain two beginning-accented. — “Reuven Tsur and Yehosheva Bentov”, tau.ac.il
  • Catholic Online - Catholic Encyclopedia reason that the notes of the melody corresponding with the initial syllables of the six hemistichs are the first six notes of the diatonic scale of C. — “Ut Queant Laxis Resonare Fibris - Catholic Encyclopedia”,
  • The first and most consistently observed feature is division of the line' into hemistichs by a word-boundary falling approximately mid-way in it, a juncture which may which the first and second hemistichs are completely interchangeable:. — “ | The fragment from Gioia del Colle (page two)”,
  • In Greek tragedy, characters exchanging clipped dialogue to suggest rapidity and drama would speak in hemistichs (in hemistichomythia) In Beowulf, there are only five basic types of hemistich, with some used only as initial hemistichs and some only as secondary hemistichs. — “Hemistich - Wikipedia, the free encyclopedia”,
  • Ut Queant Laxis Resonare Fibris: The first line of a hymn in honor of St. John the Baptist. Page scans include illustrations, maps, and images from the original Catholic Encyclopedia may be shown by capitalizing the initial syllables of the hemistichs:. — “Ut Queant Laxis Resonare Fibris - Original Catholic Encyclopedia”,
  • In Greek tragedy, characters exchanging clipped dialogue to suggest rapidity and drama would speak in hemistichs (in hemistichomythia) In Greek tragedy, characters exchanging clipped dialogue to suggest rapidity and drama would speak in hemistichs (in hemistichomythia). — “Hemistich”,
  • Each beit is divided into two hemistichs of equal length, each containing two, three, or built upon a single rhyme, the two hemistichs of the first beit rhyming with each other. — “Arabian Poetry: Extracts From The Lay of the Himyarites: On”, sacred-
  • In the first and second chapters each verse is composed of three hemistichs or half verses, except the seventh verse of the first, and the nine***th of the second chapter, which have each four hemistichs. verse consists of only two hemistichs, and those much shorter than. — “Biblical Reference Tools and Documents”,
  • Definition of hemistichs in the Online Dictionary. Meaning of hemistichs. Pronunciation of hemistichs. Translations of hemistichs. hemistichs synonyms, hemistichs antonyms. Information about hemistichs in the free online English dictionary and. — “hemistichs - definition of hemistichs by the Free Online”,

Images

  • cannot be split in writing the mim is centered in the space between the two hemistichs In line 9 it is connected to the last letter of the first hemistich but in line 10 it is not Note The image above is a gif file made from an original TeX pcl file

Videos

  • مقام ناري - رشيد القندرجي Maqam Nari - Rashid al-Qundarchi Iraqi Maqam المقام العراقي Maqam Nari Rashid al-Qundarchi and al-Chalghi al-Baghdadi 78 rpm recording for a German label in 1930. مقام الناري من المقامات العراقية الاصيلة مصدره المدرسة الموصلية للمقام العراقي . يعد فرعا من مقام البيات يرتكز على درجة الدوكَاه و يصور على اي درجة كانت .كلماته بالموال البغدادي الزهيري و موسيقاه خاضعه لايقاع الاينوَسَي. تدخل فيه قطعة المخالف بلفظة "يا مدلل". من اداء القارىء رشيد القندرجي و فرقة الجالغي البغدادي (يوسف بتو، صالح شميل، يهودا شماس) تسجيل قديم على الاسطوانة من عام ١٩٣٠. يا لايمي في بدور الجن من هالهه عيني لفگد الولف يا ناس من هالهه لاناشدك دمعتك عالخد من هالهه گلت النوى گلي سلهم علتك تنتهي يرتاح چبدك و دنبله الحشا تنتهي گلت النفس عنهم باللوم ما تنتهي Maqam Nari. This term means "inflamed" and refers to internal fire and the burning torments of unshared love. The melody formula of this mode is in Bayyat for the ascending scale and Sikah for the descending scale. However, the tonic is in Bayyat on the Dukah degree. The rhythm used is the 18 Ay Nawasi, and the words are in dialect. This is part of the suite in Bayyat and seems to go back to the Mosul school in the 18th century. The recitor begins the Nawa (Ya rabb, classical "Oh Lord"), descending to the Sikah by breaking his voice, then goes back up to the Nawa (Owéh, ya bah), thus avoiding any confusion with the Mahmudi. At the end of the second hemistich, there is a modulation in Mukhalaf, before returning to the Sikah (Ya mdallal, ya m'awwad). The third ...
  • Persian Calligraphy (Nastaliq) In this clip I am writing a hemistich of Hafiz. He is one of the greatest poets in Iran.
  • Bible Hebrew Meter Key! New Webpage covers tentative general rules for determining Old Testament poetic Hebrew meter, based on how one can observe Isaiah following 'rules' for metrification based on Psalm 90's 'rules', in order to 'talk back' (show the prophetic fulfillment of) Psalm 90. Apparently the Bible's Hebrew meter is unknown, so the new webpage had to be written. If these rules are valid, then you should be able to apply them to any section of Hebrew meter, especially Messianic passages. Meter matters a great deal for purposes of certifying correct memorization of a passage, for certifying that the Hebrew text is not corrupted; for certifying key doctrines like Trinity, God-Man ("Hypostatic Union"), Rapture, etc. So scholars have been puzzled over and even came to deny Bible Hebrew poetry had meter, being unable to find the key. Of course, don't we always lose sight of what's directly in front of us? So witness God's Genius of metric design -- codified and then displayed using the Psalm 90 and Isaiah 53 playlists.