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babbitts

Examples

  • Collection of used bookstores in central Illinois with varying specialties. Want lists kept, book search services offered, and hard-to-find titles located. — “Babbitt's Books”,
  • This is not an online store but a place for us to share fun things we do. Email us your stories and photos and we'll add them :) Text 'babbitts' to 41411 and we'll notify you of great sales and. — “Babbitt's Backcountry Outfitters”,
  • Babbitt Blog " Home. Sunday, November 21, 2010. Welcome to the Babbitt Family Portal, the Internet Home for all On this site you will find multiple areas, one for each of the Babbitt families extended family. — “Babbitt Family > Home”,
  • Lewis paints humorous scenes of Babbitt foolishly bartering for liquor (illegal at the time because of All of this is juxtaposed against backdrops of Babbitt's incessant materialism and his growing discontent. — “Babbitt (novel) - Wikipedia, the free encyclopedia”,
  • Babbitt's definition, Babbitt metal. See more. 1923, from George Babbitt, title character of Sinclair Lewis' novel (1922). "His name was George F. Babbitt. — “Babbitt's | Define Babbitt's at ”,
  • Babbitts. Definition from Wiktionary, the free dictionary. Jump to: navigation, search Alternative forms. babbitts [edit] Noun. Babbitts. plural form of Babbitt. Retrieved from ". — “Babbitts - Wiktionary”,
  • with cover feeder/ 4 & 5th knife. Perfect Binding. 15 pocket inline Muller Martini. with iijama 1080 - 40 inch w/ auto striping. Folding and Glueing. 4 MBO. — “Babbitts Bindery”,
  • Babbitts Sports Center has the largest selection of Action Craft, Arctic Cat, Can-Am (Bombardier), Formula, Honda, IronHorse, Kawasaki, Polaris, Sea-Doo, Ski-Doo, Suzuki, Swisher, Vespa, Victory, Walbro and Yamaha in Muskegon, MI. — “Babbitts Sports Center | Links”,
  • Art of the Print offers a wide selection of international fine art. Original Chromolithographic Trade Card advertising B. T. Babbitt's Best Soap. — “Trade Card - B T Babbitts Best Soap”,
  • Lowest price guarantee on Dirt Bike Helmets - Arai, HJC, Bell, Shoei, Simpson, Suomy, Scorpian helmets and more. Best price & free shipping, call today! Merchandise must be returned pre-paid as Babbitt's Online will not accept any returns sent COD. Sorry, we cannot refund shipping charges for any. — “Lowest price guarantee on Dirt Bike Helmets by Arai, Cyber”,
  • Definition of Babbitts in the Online Dictionary. Meaning of Babbitts. Pronunciation of Babbitts. Translations of Babbitts. Babbitts synonyms, Babbitts antonyms. Information about Babbitts in the free online English dictionary and encyclopedia. — “Babbitts - definition of Babbitts by the Free Online”,
  • Wholesale pricing on Polaris Parts, Polaris Snowmobile Parts, Polaris ATV Parts, Polaris Ranger Parts, Polaris Accessories. Babbitt's Online. Sale on all OEM Polaris Snowmobile, ATV and Watercraft Parts! Polaris ATV, Ranger, and Snowmobile Showcase:. — “Polaris Parts, Polaris Snowmobile Parts, Polaris ATV Parts”,
  • Babbitt's Inc.'s goal is to provide customers with the best of today's technology for all their home comfort needs. — “Babbitt's Inc”,
  • Babbitts Sports Center has all your Action Craft, Arctic Cat, Can-Am (Bombardier), Formula, Honda, IronHorse, Kawasaki, Polaris, Sea-Doo, Ski-Doo, Suzuki, Vespa, Victory, Walbro and Yamaha, Spyder OEM Accessories and Spyder OEM Riding Gear. — “Babbitts Sports Center | Buy Accessories and OEM Parts Online”,
  • Buy Arctic Cat OEM Parts, Can-Am (Bombardier) OEM Parts, Honda OEM Parts, Kawasaki OEM Parts, Polaris OEM Parts, Sea-Doo OEM Parts, Ski-Doo OEM Parts, Suzuki OEM Parts, Yamaha OEM Parts online from Babbitts Sports Center. — “Babbitts Sports Center | Arctic Cat OEM Parts | Can-Am”,
  • Arctic Cat, Polaris and John Deere dealer. Offers parts, accessories and clothing, with snowmobile, atv, and lawn mower catalogs online. Parts | Team Babbitt's. Terms and Conditions | Privacy Policy Powered by ARI Network Services - WebsiteSmart Pro v1.6.10 © 2010. Babbitt's is not. — “Arctic Cat, Polaris, Suzuki, Kawasaki, Honda, Yamaha, Sea-doo”,
  • YamahaPartsHouse is a member of the Babbitts SportsCenter family where we carry all the parts and accessories needed for your ride. Over the last 42 Years, Babbitt's Sports Center has built a rock solid reputation within the Motor Sports Industry Nationwide. — “Buy Yamaha Parts and Yamaha Accessories at ”,
  • Babbitts Sports Center. NFL. College Football. College Baseball. NBA. NHL. Soccer. Other Sports No. 1. About Arras WordPress Theme. Copyright Babbitts Sports Center. All Rights Reserved. — “Babbitts Sports Center”,
  • Buy Arctic Cat OEM Parts, Can-Am (Bombardier) OEM Parts, Honda OEM Parts, Polaris OEM Parts, Sea-Doo OEM Parts, Ski-Doo OEM Parts, Suzuki OEM Parts, Yamaha OEM Parts online from Babbitts Sports Center. — “Babbitts Sports Center | Arctic Cat OEM Parts | Can-Am”,
  • Team Babbitt's sweeps the podium finishing up the season 1,2,3 in Are you interested in the parts Team Babbitt's uses on their race bikes?. — “Team Babbitt's - Monster Energy, Kawasaki, TiFuel, AMA”,
  • Welcome to the official Facebook Page of Team Babbitts. Get exclusive content and interact with Team Babbitts right from Facebook. Join Facebook to create your own Page or to start connecting with friends. — “Team Babbitts | Facebook”,
  • Babbitt's Wholesale. 275 South River Run Road, Flagstaff, Arizona 86001 (928) 527-4390 / Toll Free (877) 527-0479 / Fax (928) 527 Flagstaff , Inc. Copyright® 2000-2010 Babbitt's Wholesale. All Rights Reserved. — “Babbitt's Wholesale”,

Videos

  • Arenacross - Gauldy with Babbitts Team Update Ryan talks to Team Manager Denny Bartz about Kelly Smith's recovery and new member to the Babbitts team.
  • Lonnie Smith - Babbitts Other Song From the 1977 Funk Reaction album.
  • Babbitt: None but the Lonely Flute (1991) Milton Babbitt's contribution to the modern solo flute repertoire, "None but the Lonely Flute". Played here by Dorothy Stone, for whom the work was composed.
  • Team Babbitts Josh Demuth and Chad Johnson talking about their rides in the main event on Saturday at Baltimore.
  • Milton Babbitt, Du, a song cycle - Bethany Beardslee, Robert Helps Du, composed in 1951, is a setting of seven short poems by the German poet, August Stramm. Although the pitch structure is in all dimensions twelve-tone determined, the rhythmic structure derives from the sonic and rhythmic structure of the poetry. In our opinion Milton Babbitt is one of the two or three leading figures in contemporary music, and needs no introduction. Nevertheless, the following is his current biography from Wikipedia: Babbitt was born in Philadelphia, Pennsylvania and was raised in Jackson, Mississippi. He studied violin and later clarinet and saxophone as a child. Early in his life he showed ability in jazz and popular music. Babbitt's father was a mathematician, and it was mathematics that Babbitt intended to study when he entered the University of Pennsylvania in 1931. However, he soon left and went to New York University instead, where he studied music with Philip James and Marion Bauer. There he became interested in the music of the composers of the Second Viennese School, and went on to write a number of articles on twelve tone music including the first description of combinatoriality and a serial "time-point" technique. After receiving his bachelor of arts degree from New York University College of Arts and Science in 1935 with Phi Beta Kappa honors, he studied under Roger Sessions, first privately, later at Princeton University, where he joined the music faculty in 1938 and received one of Princeton's first Master of Fine Arts degrees in 1942 ...
  • Art Babbitt, Disney Legend 2007 Introduced by Roy Disney, Art Babbitt's widow receives the 2007 Disney Legends award, 10/10/2007. See more on
  • Babbitt: My Ends are my Beginnings for solo clarinet/bass clarinet (1978) [Section 1/3] Milton Babbitt's "My Ends are my Beginnings" for solo clarinet (1st and 3rd sections) or bass clarinet (2nd section), composed in 1978 and played here by Allen Blustine. Andrew Mead wrote of this piece in the journal "Notes": " My Ends Are My beginnings is in three large sections, the middle one for the bass clarinet. The music's sinuous, tortuous path gradually unfolds a four-part counterpoint of twelve-tone rows whose contributions to any given passage are constantly varied. While a direct sense of this counterpoint may not be immediately perceived, one becomes aware of it much as one does the long-range polyphony underlying JS Bach's compositions for solo single-voiced instruments. Players will be readily led to such an awareness by the fact that the instrument's registral break separates the music into two sets of pairs of braided voices; the act of playing will itself impose guides for understanding. "The work's title too provides insights into the music. As is the case with most of Babbitt's compositions, the title refers to a number of aspects of the piece, not the least of which is the fact that adjoining ends of the three sections are simple transformations of each other. The title's plurals further hint at the multiplicity of trajectories one is invited to pursue through the music. "Rich as the pitch language is, much of the challenge in this piece will derive from its rhythms. While in a single tempo throughout, the composition's basic pulse stream is ...
  • Babbitt: Soli e Duettini for two guitars (1989) 1/2 Milton Babbitt's lovely Soli e Duettini in its original version for guitar duet, played here by William Anderson And Oren Fader. Part 1 of 2.
  • Milton Babbitt, String Quartet No, 4 1970 Part Two Milton Babbitt was born in Philadelphia, Pennsylvania and was raised in Jackson, Mississippi. He studied violin and later clarinet and saxophone as a child. Early in his life he showed ability in jazz and popular music.[citation needed] Babbitt's father was a mathematician, and it was mathematics that Babbitt intended to study when he entered the University of Pennsylvania in 1931. However, he soon left and went to New York University instead, where he studied music with Philip James and Marion Bauer. There he became interested in the music of the composers of the Second Viennese School, and went on to write a number of articles on twelve tone music including the first description of combinatoriality and a serial "time-point" technique. After receiving his bachelor of arts degree from New York University College of Arts and Science in 1935 with Phi Beta Kappa honors, he studied under Roger Sessions, first privately, later at Princeton University, where he joined the music faculty in 1938 and received one of Princeton's first Master of Fine Arts degrees in 1942 (Barkin & Brody 2001). During the Second World War Babbitt divided his time between mathematical research in Washington, DC, and Princeton, where he became a member of the mathematics faculty from 1943 to 1945 (Barkin & Brody 2001). In 1947, Babbitt wrote his Three Compositions for Piano, which are the earliest examples of total serialization in music, pre-dating Olivier Messiaen's non-serial "Mode de valeurs et d ...
  • Milton Babbitt: Composition for Four Instruments [with score] Babbitt's Composition for 4 Instruments (1948), for flute, clarinet, violin and cello. Thanks to UncleC for the score, and to a pianofiles user for this (I assume bootleg) recording.
  • Milton Babbitt: String Quartet No. 3 [1/3] "My String Quartet No. 3 (1970) was among the first of my works in which the changes in one group of pairs of interdimensional correspondences were mirrored in groups of pairs in other correlated dimensions. At the outset of the piece the two identical instruments of the quartet each project pairs of lines of identical hexachordal combinatoriality, while the viola and cello each project pairs of lines representing each of the two remaining hexachordal regions associated with the second-order set of the piece. This "natural" assignment is changed in the course of the work, and the dynamic projection of the time-point line changes accordingly, not in synchronism, but by ***ogy." Taken from "The Collected Essays of Milton Babbitt", wonderful book.
  • Milton Babbitt: Piano Concerto No. 2 [1/3] Live bootleg recording of Babbitt's second piano concerto, written in 1998. If I'm not mistaken, it's James Levine conducting the Boston Symphony here.
  • Semi-Simple Bad Plus Semi-Simple Variations by Milton Babbitt from the album FOR ALL I CARE by The Bad Plus Blog link:
  • Milton Babbitt: String Quartet No. 6 [1/3] Mr. Babbitt's ravishing 6th quartet from 1993
  • Arenacross - GPF/Babbitt's Kawasaki Feature - 2010 GPF/Babbit's Kawasaki Interview from the 2010 AMA Arenacross Series Season. The Supercross stars of tomorrow can be found today in AMA Arenacross Series. As the official feeder system for Monster Energy Supercross, the AMA Arenacross Series attracts the best up-and-coming riders in the world, all set to prove that they can make it to the top tier of the sport. Staged in intimate arena settings, Arenacross tracks are among the tightest in the world, filled with difficult challenges, amazing airtime, intense speed, and all the close-contact racing you'd expect from these hungry superstars-in-waiting.
  • Babbitt- Reflections (1974) (1/2) Milton Babbitt's "Reflections" for Piano and Synthesized Tape. Enjoy.
  • Milton Babbitt: Soli e Duettini (for flute and guitar) Babbitt's very elegant Soli e Duettini for flute and guitar, not to be confused with the guitar duet of the same name.
  • Aero-TV: Babbitt Addresses NBAA 2010: Next-Gen, Fatigue, Safety (Part 2) FAA Boss Talks To BizAv Industry In a October 19, 2010, address to the National Business Aviation Association, FAA Administrator J. Randolph Babbitt, expanded his familiar aero-stump speech to a crowd assembled for the this year's reinvigorated BizAv convention. His speech covered a lot of ground but was based in the usual topics this Administrator has emphasized time and time again when his audience is an aeronautical one. Babbitt started his address by noting that when "the NBAA formed in 1947, the industry was just starting to grow after World War II. The United States Air Force had just become its own department. The Boeing 377 Stratocruiser debuted that year. And Chuck Yeager broke the sound barrier. The founders of this organization met at The Wings Club in New York and realized that to be successful, they would have to chart a course for the role of business aviation. They didn't know exactly how the industry would evolve. But they knew that business aviation would help companies visit customers more efficiently, make sales more easily and service their products more quickly in order to stay ahead of the competition." From there Babbitt emphasized his concerns over the building of the Next-Gen ATC environment, emphasizing the already growing role of WAAS, RNP and the fact that, "We have published more than 2000 new satellite-based WAAS-LPV approaches and departures at more than 800 airports in the United States. There are now more WAAS-LPV procedures than ILS ...
  • Aero-TV: Babbitt Addresses NBAA 2010: Next-Gen, Fatigue, Safety (Part 1) FAA Boss Talks To BizAv Industry In a October 19, 2010, address to the National Business Aviation Association, FAA Administrator J. Randolph Babbitt, expanded his familiar aero-stump speech to a crowd assembled for the this year's reinvigorated BizAv convention. His speech covered a lot of ground but was based in the usual topics this Administrator has emphasized time and time again when his audience is an aeronautical one. Babbitt started his address by noting that when "the NBAA formed in 1947, the industry was just starting to grow after World War II. The United States Air Force had just become its own department. The Boeing 377 Stratocruiser debuted that year. And Chuck Yeager broke the sound barrier. The founders of this organization met at The Wings Club in New York and realized that to be successful, they would have to chart a course for the role of business aviation. They didn't know exactly how the industry would evolve. But they knew that business aviation would help companies visit customers more efficiently, make sales more easily and service their products more quickly in order to stay ahead of the competition." From there Babbitt emphasized his concerns over the building of the Next-Gen ATC environment, emphasizing the already growing role of WAAS, RNP and the fact that, "We have published more than 2000 new satellite-based WAAS-LPV approaches and departures at more than 800 airports in the United States. There are now more WAAS-LPV procedures than ILS ...
  • Babbitt- Piano Concerto (1/3) Milton Babbitt's Piano Concerto. Requested by TheBlackPage1
  • Babbitt: String Quartet No 6 (1993), w/ score [Part 1/2] I'll never forget the time I first came to really appreciate Babbitt's music, a few years ago at a concert of his complete music for string quartet given by the Zukovsky quartet. Prior to that I'd had a lot of strange prejudices about his music (as "dry and academic," etc), prejudices which I hadn't bothered to compare against the actual music (as often tends to be the case with such things). Anyway, I went into the concert quite skeptically -- mostly just going out of a sense of obligation since I figured it was an opportunity that wasn't likely to come up again -- but left absolutely absolutely blown away by what I'd heard: the subtle, often playful relationships between the instruments, the complex but perfectly balanced rhythms, and the incredible expressivity of it all. The next day I went to the music library and starting checking out all the Babbitt I could find. Although I never had the opportunity to meet him, listening to his music and reading/hearing his words have made me feel as though I in some sense really got to know a unique and amazing musical mind. I hope more people will have opportunities to do the same. RIP Milton Babbitt (1916-2011)
  • Milton Babbitt tribute by Andrew Toovey Part of a piano piece I wrote played by James Clapperton and a tribute to American composer Milton Babbitt who died on 29/01/2011 aged 94. Also I added one of my favourite LP covers of Babbitts work and some autographed material he sent to me. Milton Babbitt, who has died aged 94, was one of the most eminent, and controversial, American composers of the 20th century. Deeply influenced by the 12-tone music of Arnold Schoenberg, whom he met in New York in the 1930s, Babbitt extend- ed Schoenberg's serial organisation of pitch structure to other parameters, including rhythm, dynamics and instrumentation, an approach that came to be known as "integral serialism". With his Three Compositions for Piano of 1947, Babbitt slightly preceded his European contemporaries Olivier Messaien, Karlheinz Stockhausen and Pierre Boulez in producing the first work in this new and stricter manner. Babbitt wanted "a piece of music to be literally as much as possible", meaning that it should possess as many related internal associations as it could. He was thus often viewed as a cerebral composer, someone who approached music as if solving a problem. In a 1987 article in the New York Times Magazine, he was paired with "chance" composer John Cage as representing The Two Extremes of Avant-Garde Music. But for those who listened carefully, Babbitt's music had an unmistakably "American" quality that seemed to give the lie to his own aesthetic pronouncements. Most of Babbitt's music was written for ...
  • Babbitt: "Composition For Viola and Piano" Milton Babbitt: "Composition For Viola and Piano" (1950)
  • Luke Babbitt's Super Foot Propels Tyler "Psycho T" Hansbrough backwards like he's on a bungee cord. That's one magic foot. (Amazingly, after being brutalized by the foot, Tyler doesn't get the call...this time.)
  • Luke Babbitt Video Highlights Galena High School Nevada freshman Luke Babbitt's Video Highlights from Galena High School
  • Milton Babbitt - Philomel by milton babbitt. Philomel, Section 1.
  • Bob Babbitt bassline - Midnight Train to Georgia Quick take on first part of the wonderful Bob Babbitt's masterpiece as requested. EOE
  • Milton Babbitt, Composition for 12 instruments, ensemble conducted by Ralph Shapey Completed in 1948, this is one of Babbitt's earliest works in which the formation and transformation principles of the 12-tone pitch class system were applied to other musical dimensions, particularly the temporal. Other pieces notable for the same reason are his "Three Compositions for Piano" and "Composition for Four Instruments." Although in a single movement, "Composition for 12 instruments" divides obviously and externally into two sections, which are complimentary insofar as the explicitly presented materials of one function as the source material for the other. Milton Babbitt, Professor of Music at Princeton University, also has been a member of the faculties of the Salzburg Seminar in American Studies, The Berkshire Music Center (Tanglewood), and the Princeton Seminar in Advanced Musical Studies. His honors include a Joseph Barnes Prize, a New York Music Critics' Circle Citation, an Award of the National Institute of Arts and Letters, and a Guggenheim Fellowship. He is a member of the Committee of Direction of the Electronic Music Center of Columbia and Princeton Universities. [Notes adapted from the son-nova LP release] Conductor Ralph Shapey was well known both as composer and conductor. He studied composition with Stefan Wolpe and violin with Emanuel Zeitlin. As a composer, his honors included honorable mention for the George Gershwin Award, a Frank Huntington Beebe Award, an Italian Government Grant, and a Brandeis University Creative Arts Award.
  • Milton Babbitt: About Time Babbitt's "About Time" for solo piano, performed wonderfully by Alan Feinberg
  • Babbitt: "All Set" Milton Babbitt: "All Set" for Jazz Ensemble (1957)
  • Milton Babbitt: String Quartet no. 2 [w/ score] Babbitt's 2nd quartet (composed in 1952), with the score. Performed by the Composers Quartet.
  • Babbitt's Backcountry Outfitters
  • How To Play Bob Babbitt's Bassline on Ball Of Confusion www.how-to-play- This is a lesson for beginners on how to play Bob Babbitt's bass line to Ball Of Confusion. There's no tab or music notation for this one - but it's easy, and all the info you need is in the video. If you're a beginner and want to get better, head over to my website and check out my online bass lesson program - play bass by learning songs not scales. http
  • Babbitt: Concerti for Orchestra (2004) [Part 1/2] Milton Babbitt's recent, wonderfully delicate Concerti for Orchestra; first part of two. Many thanks to flammesombres for providing me with this recording.
  • Babbitt: "Occasional Variations" Milton Babbitt: "Occasional Variations" Realized on the RCA Mark II Sound Synthesizer, 1968-1971
  • Milton Babbitt : Three Compositions for Piano pf: Robert Taub In 1947, Babbitt wrote his Three Compositions for Piano, which are the earliest examples of total serialization in music, pre-dating Olivier Messiaen's "Mode de valeurs et d'intensités" by two years, and Pierre Boulez's "Polyphonie X" by four. The Composition for Four Instruments of the following year was Babbitt's first use of total serialism for instrumental ensemble. In other words: Babbitt owned those Frenchies.
  • Babbitt- Tableau (1973) Milton Babbitt's Tableau, for solo piano. This is one of his more virtuosic pieces; in fact, it's probably the most difficult of his output. Requested upload.
  • Babbitt Slaps Pooh Williams Luke Babbitt gives Pooh Williams a back-handed love slap in frustration for fouling out of the game. Utah State defeated Nevada 76-65. Feb 6, 2010.
  • Milton Babbitt: Semi-Simple Variations--Zalman Kelber, piano Three positive critiques: -Pretty good accuracy (only one missed note!) -Sense of articulation; rhythmic figuration successfully brought out -Tempo relatively consistent Three negative critiques: -Serialized dynamics not fully realized -Theme is not emphasized--in general, not supported by a full intellectual understanding of this music -I look legitimately insane This is Milton Babbitt's Semi-Simple Variations (1956)--though it is short and the easiest piano piece by him I could find, it is still incredibly difficult to learn and even more difficult to understand and listen to (I'm still working on that part in fact). Babbitt wrote some of the most obscure and difficult music of the past century: check out this video ( ), which summarizes his notorious and inflammatory article "Who cares if you listen," which--suggestively--was written one year after this piece.
  • Milton Babbitt: More Melismata [with score] Babbitt's "More Melismata" for solo cello (2006), with the score. Just a note: there were numerous mistakes in the original m***cript which Chris Gross (the dedicatee) performed from, and the score has now been corrected (and Babbitt has also made several changes himself). This is the premiere recording, performed at the Julliard Theatre.
  • Edward Neeman plays It Takes Twelve to Tango by Milton Babbitt Babbitt's tango is part of the collection of 127 tangos by 127 composers commissioned by Yvar Mikhashoff between 1983 and 1991. The beguiling mix of edgy modernism and tango rhythms is far from obvious, as sensual dance-like lines alternate with psychedelic fast cuts, and florid lines rub shoulders with disembodied gestures pirouetting simultaneously in different registers of the piano. Babbitt structures his tango using an all-partition array, a highly complex serial construction a bit like writing counterpoint in three dimensions instead of two. He similarly structures the rhythm using a partition technique, but keeps the beats of the 2/4 tango consistent. The title, It Takes Twelve to Tango, is a reference to the twelve-tone technique. Live performance, Cleveland International Piano Competition, Cleveland Playhouse Bolton Theater, August 30, 2009.
  • In memoriam Milton Babbitt Relata 1 for orchestra Relata 1 for orchestra with a collection of photos of the composer who died at the weekend 29/01/11 aged 94. Babbitt has said of Relata 1 - Although the work has no familiar pattern of dimensionally synchronous repetitions and there are no extended recurrences, the main body of the piece is perhaps heard as consisting of six broadly parallel sections. Milton Babbitt, who has died aged 94, was one of the most eminent, and controversial, American composers of the 20th century. Deeply influenced by the 12-tone music of Arnold Schoenberg, whom he met in New York in the 1930s, Babbitt extend- ed Schoenberg's serial organisation of pitch structure to other parameters, including rhythm, dynamics and instrumentation, an approach that came to be known as "integral serialism". With his Three Compositions for Piano of 1947, Babbitt slightly preceded his European contemporaries Olivier Messaien, Karlheinz Stockhausen and Pierre Boulez in producing the first work in this new and stricter manner. Babbitt wanted "a piece of music to be literally as much as possible", meaning that it should possess as many related internal associations as it could. He was thus often viewed as a cerebral composer, someone who approached music as if solving a problem. In a 1987 article in the New York Times Magazine, he was paired with "chance" composer John Cage as representing The Two Extremes of Avant-Garde Music. But for those who listened carefully, Babbitt's music had an unmistakably "American ...